I'm just the type for whom
no end is suffix (ient):
tap (drip, drip, drip)
where is the beer, the syrup, the flow in this day?
clip (ed) to the
dock
do I mean to to say kissed where my ship comes in
or pinned to the dry velvet of a leaf?
finish (ed)
board (ing)
shall I wave my handkerchief as I sail off
or thank the landlady for lunch as I wipe my lips
sliding my legs across the polished wood?
I must be at least two tired to get anywhere,
looking in wonder through the iris
that will bear
up under
the snow.
Tag: Art
TENDER: for Paul Squires (in memorium)
“I miss you and I wanted to write / you a letter to tell you I miss you / but there is no silence / like hello unanswered”
TENDER
What is paid?
What is offered?
How is that spot
when pushed?
What are we looking after?
Caulonian Suite: II. Caulonia Supriore
CAULONIA SUPERIORE
for Matthew
The sky roils;
swallows knit webbed gyres
among the baroque sag of rooftops.
Across the way they’re fixing one;
new russet barrel tiles sealed over
old timber bones.
I hear a sound like the pounding
Of a battering ram or the cleaving
Of an immense stump
Contrapunted with a loud HUP.
My daughter sleeps with the abandon
of an unfettered shutter swinging in a stiff wind.
A woman in her fifties climbs the stairs
to the house where she and my daughter
were both conceived.
We regard each other with
that part of the eye
which admits an alternate aim.
The pounding stops.
The church bells go off
with the percussive invective
of a fire alarm
DANGATIDANGATIDANGDANGDANG.
They say it’s peculiar to here:
someone sounds the bell
not with the pull of a knotted rope
but with the unlevered force of arms.
This is the second in a suite of poems about Caulonia Supiore
IPM 2MX…Where have all the poems gone?
International Poetry Month 2010 is now closed. The marauding hordes left the library ablaze, the flood washed away the ashes, the caravan carrying the last copy of the precious poetry collection has vanished in the desert.
What remains is the oral tradition; I have made audio files of each poem available where the poem used to be posted. There is also the possibility that a copy of some of these works still exist in the archives of the poets themselves. Anyone who is on my e-mail list has a ‘fragment’ of each work. Perhaps, like the poems of Sappho, this is all that will remain.
I would like to extend my profound thanks to the following guest poets for their contributions:
Anonymous 21st cent. Italian Poet
Adina Richman
Jere Schaefer
Several of these poets have blogs where new poetry may be encountered. I encourage anyone suffering from poetry withdrawal to visit these sites by clicking on any of the names that appear in colour.
Thanks as well to everyone who has stopped by to read and comment on the posted work. It has been a real joy to present so much fine poetry this year. Now I have to start thinking about next year, and as my sweetheart reminded me this morning, get back to writing.
A presto!
Adage: by Bonnie McClellan
The written version of this poem has disappeared. If you’re wondering why, click HERE.
To listen to the podcast, click below…bonsai: by Chris Fillebrown
Round Dance: by Bonnie McClellan
The written version of this poem has disappeared. If you’re wondering why, click HERE.
To listen to the podcast, click on the player below:Outdoor Living 3 and 9: by Bonnie McClellan
The written version of this poem has disappeared. If you’re wondering why, click HERE.
To listen to the podcast, click on the player below:Windfarm 3 and 9: by Bonnie McClellan
The written version of this poem has disappeared. If you’re wondering why, click HERE.
To listen to the podcast, click on the player below:Mockingbird Sings the Blues: by Bonnie McClellan
The written version of this poem has disappeared. If you’re wondering why, click HERE.
To listen to the podcast, click on the player below:




