SISIFO: di Luca Maria Antonini

•February 23, 2017 • Leave a Comment

non so più quello chepensa il mio pensiero, non capisco più cosa vuole pensare, se quello che il mio pensiero pensa sia giusto o sbagliato, o buono o cattivo o qualcos’altro, io non posso più controllare il mio pensiero, penso senza sapere pensare, il mio pensiero pensa quello che vuole e io non posso più pensare a quello cui voglio pensare, penso solo a quello cui pensa il mio pensiero, a quello che decidelui, e non decido quello cui il mio pensiero debba pensare ma il mio pensiero fa quello che vuole, non mi considera, non so più quello che pensa, o come pensa, o perché (perché il mio pensiero pensa senza che io possa pensare), il mio pensiero pensa a quello che vuole indipendentemente da me, e io non ho controllo sul mio pensiero, il mio pensiero mi sovrasta, è avanti, è laterale, trasversale, compiaciuto di se stesso, incontrollabile, e io non so se quello che pensa sia vero e sensato, perché pensa solo lui e perché il mio pensiero non è mio ma è il pensiero del mio pensiero, e io non penso il mio pensiero ma è il mio pensiero a pensare me, a osservarmi con sufficienza, dall’alto al basso, e il mio pensiero mi controlla e giudica mentre lavo l’insalata in bilico sul lavandino.

 

Ascoltare una lettura qui sotto, la musica è stata composta e arrangiata per Sisifo da Igor Sciavolino:

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An English translation of this poem can be found below:

SISYPHUS

i don’t know what my thought thinks anymore, i don’t understand what it wants to think, if that which my thought thinks is right or wrong, or good or bad or something else, i can’t control my thought anymore, i think without knowing i think, my thought thinks what it wants and i can no longer think about what i want to think, i just think about what my thought thinks, about what it decides, and i don’t decide what my thought should think but my thought does what it wants, it has no regard for me, i no longer know what it thinks, or how it thinks, or why (because my thought thinks without me being able to think), my thought thinks about what it wants independent from me, and i have no control over my thought, my thought dominates me, it’s in front, it’s beside and through me, self satisfied, uncontrollable, and i don’t know if what it thinks is true and reasonable, because only it is thinking and because my thought is not my own but is the thought of my thought, and i don’t think my thought but it’s my thought which thinks me, observes me with condescension, up and down, and my thought keeps an eye on me and judges me while i wash the lettuce balanced on the sink.

(translation by Matthew Broussard)

2016 ATE (After Trump Election): by Adina Richman

•February 22, 2017 • Leave a Comment

I have to say
The prognosis is grim
The pulse is erratic
Breath has become labored, thready
The circular in and out replaced by panicked gasps.
Constricted windpipes wheeze long, hopeless sighs
Nope, it doesn’t look good.

Worse still,
It’s going to be a slow death
Indignities suffered
Humiliation and Outrage, twin, piercing icebergs
Slow melting glaciers,
Until we are all awash in a flood of self-pity
Each wishing, hoping
I am Noah!
Knowing
We haven’t been that good
And we won’t be that lucky.

Of course, we will still rally.
When our blood pressure rises
We will brace ourselves to fight, be vigilant
Outsmart the insidious cancerous squid ink squirt
Leaking, surreptitiously at first, from a tear
A rotted carotid
Later, inevitably,
Pumping, hemorrhaging boldly, aggressively, vigorously.
We had always known it was in our veins
But thought we’d outlive it

We might not
Without fail, we grow weary
Weak with worry
Our will sandpapered
Even the mighty heart is compromised
And something’s not right in the head

Still, there are so many plans to make
Upturned faces to wipe clean
Documents to be put in order
There are always taxes to pay

It would be easier
Better for us all
To just relax, let go
Unplug
Decant…

But, no, no, we all know what that means!
Do not go gently! No,
No rest for the wicked or the righteous,
We must
Put on a brave face
Keep calm, Keep on trucking
We shall
Keep the faith
Fight the good fight
Do it for the children
For the good of us all
We will
Hold on, be strong…

It’s all we can do, right?

But…
It’s looking pretty bleak from here….

 

copyright 2016 Adina Richman, all rights reserved

To find more poems by Adina Richman on this blog, click HERE.

From Left to Right I Ponder Politics and Kanji: by Robert Okaji

•February 21, 2017 • 8 Comments

In the evening I pour wine to celebrate
another day’s survival. My motions:
up to down, left to right. Glass

from cabinet, wine to mouth.
And then I return to the page.
The character for stone, ishi,

portrays a slope with a stone
at its base, and I take comfort
in knowing that as my knee aches

at the thought of climbing, ishi exists
in descent only. A volcano belches,
producing hi, fire, rising above the

cone, while earth, tsuchi, lies firm
beneath the shoots pushing up,
outward, and ame, rain,

consists of clouds and dotted
lines and the sky above. But if
wind is made of insects and

plums, do I assemble new meaning
without fact or wisdom, form
or assumed inflection, left to

down, up to right? Consider water,
its currents, its logic and needs.
Consider truth. This is how I think.

Listen to a reading of the poem by the poet:

You can find more poetry by Robert Okaji on this site or on his blog HERE . A collection of Robert’s poetry is available in his chapbook “If Your Matter Could Reform” which was published as part of the the National Poetry Month series by Dink Press 

STANDING POWER FIGURE (NKISI-NKONDI): by Bonnie McClellan

•February 20, 2017 • 4 Comments

NKISI–NKONDI
The contract is only valid
when everyone believes
in the same magic.

MONEY
…..“With whom is the Courtesan’s contract made?”

She whose business is:
the manipulation of all parties
(including herself)
to her own best advantage.
Christlike she is
hero + victim of her own story.

……“The party of the second part is the Blacksmith.”

He whose hands are rough,
hard and dark as the hammer
he brings against the red point
of the witnessing nail.

NKISI–NKONDI
The contract is only valid
when everyone believes
in the same magic.

MONEY
LANGUAGE

A mantra to keep her head
above water : old words
– the end justifies the means
– one must hold power to create it
– an unalienable right to the pursuit of happiness
she reasons along the switch-back,
forked path,
the yellow wood;
…..worn thin by fine-shod feet of
…..courtesan,
…..consul,
…..cardinal,
……………..the prime minister
……………..the snake in the garden.
Things fall apart.

NKISI–NKONDI
The contract is only valid
when everyone believes
in the same magic.

MONEY
LANGUAGE
ETHICS

Forged of finer stuff
her slender circle glints around
the blacksmith’s rough hands
hard and dark as the hammer he rings
against the truth of the nail.
Iron wedges open wood’s yellow grain.
The courtesan’s ring corrupts his grip.
Yet, the nail is driven –
…..her gaze darts away from
…..open eyes || death’s mirror
He sees.

He sees.
Yet,
He believes.

The courtesan’s ring corrupts his grip
…………………………………corrupts the nail
…………………………………denies the magic
…………………………………of open eyes:

it’s all for sale.

 

To hear a reading of this poem, click on the player below:

To read more poems by this poet, click HERE.

Standing power figure (nkisi nkondi)

Topografia nord / 1: di Luka Stojnic

•February 19, 2017 • Leave a Comment

La manica di questa giacca è lunga. Il braccio si protrae verso un ramo di ciliegio come per indicare un fiore rosa. Consumata ai polsi, la stoffa, scura, svela le due lancette di una delle quattro. Quante volte ti sei accorto delle quattro? L’attenzione per un fiore rosa alle ore quattro. Petali fibrillano nella brezza dell’aria: un soffio che nulla vuol cambiare. Il rimedio per una manica troppo lunga.

Topography North/ 1

The sleeve of this jacket is long. The arm extends towards a cherry branch as if to indicate a pink flower. Consumed at the cuffs, the fabric, dark, reveals the two hands of the one of the four. How many times have you noticed the four? Attention to a pink flower at four o’clock. Petals quiver in the breeze: a sigh that would nothing change. The antidote for a sleeve that’s too long.

If you would like to read more of Luka’s poetry on this blog, click HERE.

Red String of Fate: by Brad Frederiksen

•February 18, 2017 • 7 Comments

When heat huddles by white-hot horizons
and puddles black bitumen blue,
you don’t stop for water poured into a cup
to become cup before it is in you.

When white-hot horizons burn into the wind-
screen and ghost the glass over with ghost-skies,
you’re up to your nose in the end of a road
you’ve been driving so long you’ve gone cross-eyed.

When a breeze cold as glass can be cold in the heat,
and puddles of blue on black bitumen meet,
and plenty of dry leaves and dust are about,
and your eyes are on straight, and the ghosties are out,

the invisible Red String of Fate will rise up
like water still spinning is not yet the cup.

This work by Brad Frederiksen is licensed under a Creative Commons Attribution-Share Alike 2.5 Australia License.

to find more work by Brad Frederiksen on this blog, click HERE.

To read more work and see more photographs by Brad Frederiksen, click HERE.

MATERNITA’: di Giacomo Gusmeroli

•February 17, 2017 • 1 Comment
scroll down for English

Dunque, come scrivevo, questo infinito sgomento – non
della morte, affatto- le grandi ali dei suoni.
Giovanni, si era arrampicato
su una roccia strappando un ramoscello pieno di belle bacche.
Le ha date alla Gemma. Oh! – disse- Io stavo a guardare tutto.
Ancora una volta mi metto a immaginare quel fatto
ma di quanti anni prima? dopo quanti anni?…

MATERNITA’

prima

Io le sentivo allora dalla spaccatura, intanto di soppiatto
…..fissavo
le loro garze inzuppate e gli stracci
buttati nel catino, su cui sfolgorava lucentissima la luce
…..del sole
dal vetro della finestrella; – e mi sentivo così solo e sopraffatto
come se in quel momento mi fosse stato dato a sorte
il miracolo stupefacente della vita. Avevo anche
…..timore
che la balia uscisse all’improvviso e mi trovasse dietro
…..la spaccatura
a sbirciare quell’evento a me proibito – soprattutto
scoprisse che avevo sentito le loro parole, scoprisse
la mia bravata maldestra.

segùnda

Dopo l’ultimo parto era smagrita;
le palpebre sempre inarcate; i seni
avevano perso la forma – lei lo vedeva e lo nascondeva
…..e era smarrita, silenziosa,
quasi per conto suo.
…..A volte, invece, si sedeva
immutabile, per attimi e attimi,
nella stessa posa, e assorta,
nel piccolo sgabello di betulla; si passava le mani
con un pezzo di sapone sbeccato – io lo intuivo
dall’odore entrando in stanza sua –
e mi piaceva, perché il sapone era sempre destinato
al giorno della festa e della domenica; – e ancora, adoperava
varie erbe officinali, raccolte di fretta la sera al scendere del sole,
erbe che rinfrescavano la pelle e davano alla faccia un carnato
lucido e pallido. Un giorno
mi guardò che la guardavo nello specchietto
forse aveva sentito la mia presenza alle spalle,
e sobbalzò tutta: fece una mossa
come se fosse scesa di colpo da un salto.
“ Così, hai notato anche tu che sono sciupata?”

e all’istante ridivenne lieta, consolata, bella
come un tempo, prima del suo mutamento
e prima dei grandi mutamenti incontrollabili del tempo.

“Una camminata fatto in quei
giorni che il freddo accorcia la pioggia… io
e lei, la Gemma, mia madre, di 95 anni”.

tèersa

Portami a camminare con te
appena lì avanti, fino al muro della contrada,
fin dove la valle si apre e appare
il campanile peraria e di sasso, calcinato dallo sprazzo
…..di luna,
così peraria e immateriale
così distaccato, quasi etereo
che puoi anche credere che non esiste
il vuoto con le sue lontananze.

Portami a camminare con te.

Ci abbandoneremo un momento sul sasso,
sul dosso,
e inumidendoci fra serti di brina
forse crederemo persino di volare,
perché a volte, come adesso, sento lo stropiccìo
…..dei miei panni
che sembra il fremito di due ali grandi,
e quando ti accosti a questo battito del volo
senti alleggerirsi le braccia, il corpo, la tua figura,
e così avvolto nella cornice di una brina azzurra,
negli tratti liberi dell’anima
non ha importanza che tu salpa o ritorni,
né importa che i nostri capelli siano imbiancati,
(è questo che mi dà tenerezza – e mi dà tenerezza
che s’imbianca anche lo sterrato).

Portami a camminare con te.

peraria: cavato su dal dialetto vecchio

Trovate QUI più informazioni su Giacomo Gusmeroli, il suo ultimo libro, “Quattro mesi e venti giorni” è uscito per LietoColle.

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An English translation of this poem can be found below:

 

So, as I wrote, this infinite dismay – not
of death, at all – the broad wings of sounds.
Giovanni, had climbed
up on a rock tearing off a small twig full of beautiful berries.
He gave them to Gemma. Oh! –she said– I was watching everything.
Once again I re-immagine that moment
but how many years before? after how many years?…

MATERNITY

first

I could hear her then through the fissure, meanwhile furtively
…..I stared at
their sopping gauze and the rags
thrown into the basin, on which the polished sunlight
…..blazed
from the window’s glass; – and I felt so alone and overwhelmed
as if in that moment I had been given at random
the stupefying miracle of life. I was also
…..afraid
that the nurse would come out suddenly and find me behind
…..the fissure
peering in at that event forbidden to me – especially
discover that I had heard their words, discover
my clumsy escapade.

second

After the last birth she was gaunt;
eyelids always sagging; her breasts
had lost their shape – she saw it and hid it
…..she was lost, silent,
almost of her own accord.
…..Sometimes, instead, she would sit
unchangeable, for moments and moments,
in the same position, and lost in thought,
on the small birch stool; she passed a chipped
bar of soap over her hands – I intuited that
from the smell upon entering her room –
and it pleased me, because soap was always used
on holidays and Sundays; – and still, she employed
various medicinal herbs, quickly gathered in the evening when the sun went down,
herbs that refreshed the skin and gave the face a pale and glowing
flesh. One day
she saw that I saw her looking in the mirror
perhaps she felt my presence at her shoulder,
and she started: with a movement
as if suddenly landing hard from a jump.
“So, have you also noticed that I’m falling apart?”

and instantly she became happy again, consoled, beautiful
as she once was, before her change
and before the great, uncontrollable changes of time.

“A walk taken in those
days when the cold cut short the rain… She
and I, Gemma, my mother, 95 years old”.

third

Take me walking with you
just there ahead, up to the wall of the contrada,
up to where the valley opens up and it appears
the unearthly bell tower of stone, whitewashed by the flash
…..of moonlight,
so unearthly and immaterial
so detached, almost ethereal
that you can even believe it doesn’t exist
the void with its remoteness.

Take me walking with you.

We let ourselves go for a moment on the rock,
…..on our backs,
and dampened among garlands of hoarfrost
perhaps we believe we can even fly
because sometimes, like right now, I hear the rustling
…..of my clothes
that seems like the flapping of two broad wings,
and when this beat of flight accosts you
you feel your arms, your body, your features, lighten
and so wrapped up in the frame of azure hoarfrost,
in the liberated lines of the soul
it doesn’t matter if you’re taking off or returning,
nor does it matter that our hair has turned white,
(it’s this that moves me – and it moves me
to see that the path has also turned white).

Take me walking with you.

(translated by Bonnie McClellan)

for more poems by Giacomo Gusmeroli on this blog, click HERE.

Poiesis, The Art of Poetry: by Anna Mosca

•February 16, 2017 • 4 Comments

Poiesis, The Art of Poetry

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If I arrange myself
coherently

between white spaces

give me a rhythm
suspended
between bodies and souls

that will transfer
transfigure
that will transcribe

light on the soft
curve of waves
a second before

dark

(From the collection: Summer Colors).

To hear the poet’s reading of this poem, click on the player below:

Poiesis,L’arte di fare poesia

*

se mi dispongo
coerentemente

tra gli spazi bianchi

dammi un ritmo
che sia
tra i corpi e le anime

che trasporti
trasfiguri
che trascriva

la luce sulla curva
morbida delle onde
un attimo prima

buia

(dalla collezione: Colori estivi)

Clicca qui sotto per ascoltare l’audio:

You  can read more of Anna Mosca’s poetry by clicking HERE.
Leggi più delle poesie di Anna Mosca QUI.
 
Anna Mosca’s 2015 collection of poetry “California Notebooks 01” is available HERE.

shared emotion: by Ken Gierke

•February 15, 2017 • 2 Comments

thought, emotion
in a relay race
through body and mind
each lap igniting sparks
firing across synapses
instantaneous
love
spoken, unspoken

thought, emotion
facing a tsunami of
words
inundating
slowly seeping away
leaving behind
sodden ash
heartbreak

thought, emotion
in a dull glow
re-firing to
recover
bridge a gap
reconnect
commune with
the outside world

To hear the poet’s reading of the poem, click on the player below:

Ken Gierke is a retired truck driver who started writing poetry at 40 as a way to sort through his thoughts. He’s been honing his writing skills over the last 3 years at his Wordpress blog and you can find more of his work HERE.

Halting Novena

•February 14, 2017 • Leave a Comment

I struggle to abandon apollonian mind to faith:
To leave aside the compass given me to read, arrange
And bend the spinning chaos to the rhythm of my breath.

My path

Is that of reason. Yet relieved to find the passing strange
Truth which flouts my measured doubt: I can scarce allow
Myself the grace that we are twin and have so been forever.

A fact

Which grounds all other house-of-cards truths i pretend to know.
And what of that? The world spins on indifferent to whether
My conjectures stand to reason. We know each other.

And laugh

 

This poem is an anonymous submission received for IPM 2017

 
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